About the artist
Drawing was
my island, my refuge …
—
Christine Sefolosha was born in Switzerland, near Montreux on Lake Geneva shores. As an only child, she grew up under her mother’s care who lovingly encouraged her imaginative streak and left her to explore it freely. Passionate about horse riding, the young girl told herself stories and created worlds inhabited by horses and animals. When she turned 20, and was about to start Fine Art School, life, in an odd turn of events, brought her to South Africa. Her first six years there were spent in a protected environment within the White community. Family was a priority. But she continued drawing. With assiduity. Animals chiefly. Until a time when she became conscious of the harsh realities of Apartheid. Her escapades into the townships confronted her with the gagged, undercover culture of its people. Music, theatre, dance, visual arts: such an amazingly rich, creative streak was revealed to her through her wanderings. This experience would forever change Sefolosha. From then on, the artist realized that she could no longer be content to reproduce just the surrounding reality, but that she must imperatively explore the depths of her feelings, find her place in the world, in other words, realize herself as an artist. Coming home to Switzerland in the early of the 1980s, Christine put all her energy into reaching her goal. Her first solo show in Vevey in 1988 became the beginning of a path that has brought her to exhibit around the world.
La tête à l’envers
Marlène Métrailler
Laurence Froidevaux et Marlène Métrailler
(March 26, 2016)
About the artist
Drawing was
my island, my refuge …
—
Christine Sefolosha was born in Switzerland, near Montreux on Lake Geneva shores. As an only child, she grew up under her mother’s care who lovingly encouraged her imaginative streak and left her to explore it freely. Passionate about horse riding, the young girl told herself stories and created worlds inhabited by horses and animals. When she turned 20, and was about to start Fine Art School, life, in an odd turn of events, brought her to South Africa. Her first six years there were spent in a protected environment within the White community. Family was a priority. But she continued drawing. With assiduity. Animals chiefly. Until a time when she became conscious of the harsh realities of Apartheid. Her escapades into the townships confronted her with the gagged, undercover culture of its people. Music, theatre, dance, visual arts: such an amazingly rich, creative streak was revealed to her through her wanderings. This experience would forever change Sefolosha. From then on, the artist realized that she could no longer be content to reproduce just the surrounding reality, but that she must imperatively explore the depths of her feelings, find her place in the world, in other words, realize herself as an artist. Coming home to Switzerland in the early of the 1980s, Christine put all her energy into reaching her goal. Her first solo show in Vevey in 1988 became the beginning of a path that has brought her to exhibit around the world.
La tête à l’envers
Marlène Métrailler
Laurence Froidevaux et Marlène Métrailler
(March 26, 2016)
About the artist
Drawing was
my island, my refuge …
—
Christine Sefolosha was born in Switzerland, near Montreux on Lake Geneva shores. As an only child, she grew up under her mother’s care who lovingly encouraged her imaginative streak and left her to explore it freely. Passionate about horse riding, the young girl told herself stories and created worlds inhabited by horses and animals. When she turned 20, and was about to start Fine Art School, life, in an odd turn of events, brought her to South Africa. Her first six years there were spent in a protected environment within the White community. Family was a priority. But she continued drawing. With assiduity. Animals chiefly. Until a time when she became conscious of the harsh realities of Apartheid. Her escapades into the townships confronted her with the gagged, undercover culture of its people. Music, theatre, dance, visual arts: such an amazingly rich, creative streak was revealed to her through her wanderings. This experience would forever change Sefolosha. From then on, the artist realized that she could no longer be content to reproduce just the surrounding reality, but that she must imperatively explore the depths of her feelings, find her place in the world, in other words, realize herself as an artist. Coming home to Switzerland in the early of the 1980s, Christine put all her energy into reaching her goal. Her first solo show in Vevey in 1988 became the beginning of a path that has brought her to exhibit around the world.
La tête à l’envers
Marlène Métrailler
Laurence Froidevaux et Marlène Métrailler
(March 26, 2016)
Halle Saint Pierre, 2, Rue Ronsard, Paris
VERNISSAGE Le 11 septembre (sur invitation)
—
L'étoffe des rêves
76e Biennale d’art contemporain au Musée des Beaux Arts de la Chaux
de Fonds
VERNISSAGE Le 27 septembre de 18.00 à 20.00
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VERTIGES
